Sapient

by K.H.D.

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1.
06:35
Wenn man Unendlichkeit sieht, die Lebenszeit im Flug vergeht.
2.
04:21
Ich bin geschockt; Die Welt geht unter. Seit Tag eins verdammt zu zerbrechen, wie das Dasein eines Sparschweins. Wen interessiert's, was whack MCs zu sagen haben? Sie werden überwältigt und stellen keine Fragen. Denn er könnte nicht leben ohne Autorität, die ihm Tag für Tag erzählen will, wie das Leben geht.
3.
05:44
Over there in the distance is the center of the galaxy. That's where we all try to get to.
4.
5.
6.
(free) 05:24
7.
8.
9.
Future sounds and broken melody. Deformed. Destroyed. Synthetic sympathy. Loud and clear: Ambience so angry. It sounds strange. The vocal sounding melody.
10.
11.
Uh.
12.
Wenn man Unendlichkeit sieht, die Lebenszeit im Flug vergeht.

about

SHMH003: K.H.D. – Sapient – Dropped down from The Infinite Gabber Space in late 2017, this is a melodic and trancy sounding Hardcore/Gabber album by K.H.D. It contains heavy kick drums and uplifting melodies.

For this release I made some new tracks and remastered a couple of my old ones.

shyftedminds.com

-Unendlich | Produced in 2017
-Verdammt | Produced in 2017
-Center | Produced in 2017
-Science Of Sapient Measures | Produced in 2017
-Enemy From Gliese 581 | Produced in 2010
-Mechanism Alpha | Produced in 2010
-Profound Reflexion | Produced in 2012
-Access Denied | Produced in 2011
-Synthetic Ambit | Produced in 2013
-Get Back Up!VIP | (Vs. DMT Feat. MissCyainide) Produced in 2015
-No Melody (Glitch In The...) Produced in 2017

credits

released December 16, 2017

Programming, composition, arrangement, mixing, mastering and visual art by Kyat- Heänsx Dittmann.

Track "Get Back Up" in co-operation with producer DMT and MissCyainide.

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all rights reserved

tags

about

K.H.D. Germany

Member of Shyfted Minds record label shyftedminds.com

K.H.D. (Kyat-Heänsx Dittmann) is an Independent electronic music producer born in Berlin, Germany.

Inspired by electronic dance music, medieval folk music and videogame themes, his style has become a rare mixture of hard distorted kicks and melodic yet symphonic compositions.
He used to call this style “Melodic Gabber”.
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